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Why are japanese roofs curved.
Introduction japanese pagodas look so lightly with the stages of roofs and the anchorage of peoples religious mind from early date.
This happens because in summertime the sun is more directly overhead while in the winter it only gets about 35 degrees above the horizon at noon.
Japanese architecture 日本建築 nihon kenchiku has been typified by wooden structures elevated slightly off the ground with tiled or thatched roofs.
A study on the roof curve of japanese pagodas figure 1.
Chairs and high tables were not.
The roofs in both of the above photos show what liang ssu ch eng in chinese architecture called the immediately outstanding feature of chinese architecture.
If evil spirits were to descend from the sky for instance they would hit the roofs and be sent shooting back up and away however gods were also inspired to descend onto earth by the color black.
But these figures are supported by master builders experi ences and their skills.
Usages vary slightly from region to region or from one builder or architect to another.
Roof shapes differ greatly from region to region.
Sliding doors were used in place of walls allowing the internal configuration of a space to be customized for different occasions people usually sat on cushions or otherwise on the floor traditionally.
There are many curved lines in the design of the japanese roof and the most remarkable are the curves of the eaves and the slope of the roof.
The application of curved lines in japanese architecture is based on a style imported from the asiatic continent and dates from about the middle of the 6th century.
Terimukuri curves first appeared in japanese architecture at the end of the ninth century as kara hafu chinese style gables.
This is strikingly different from most western roofing systems they put a lot of stress on the outer walls.
A curved roof with overhanging eaves which a wooden skeleton supports.
Three storied pagoda 1 1.
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Asian roofs are gently curved out at the corners in order to allow more light to enter the windows in winter and provide extra shade in the summer.
The harmonious blending of these two types of curves is the terimukuri style of roof seen on many japanese shrines and temples as well as on mikoshi portable shrines and hearses.